Spaceballs really IS the Most Quotable Movie Ever.
The consuming, full-body panic has set in that I have to move in approximately 36 hours. I, all of a sudden, as if I hadn’t realized this moment was coming for four months now, seem to have so very much to do and no time to do it in. So many people I want to see one more time, so many places I want to take one more meal from, so many sights I’ve left unseen for months in the knowing that surely there would be time. But no, no no. I’ve lazed about for an entire month now (feels good, but I’m ready for some strenuous mental activity), and here I am thinking, ‘Shit, I meant to get up to Black Balsam one more time for a photo shoot’. Alas and alack, as a dear friend would say, time no longer allows for such.
I have so much packing to do, and I haven’t even really made a dent, and probably won’t until tomorrow in the early evening when I know I have plans for 9 pm that will, most likely, have me out late drinking. I figure better to leave Asheville feeling like shit in a chemically related kinda way, and then maybe the emotions won’t kick in until the drive is over.
I am such a pansy. I act as though leaving Asheville is the end of the world or something. I know I’ve said this before, but it’s like cutting an arm off; I feel like I belong here, and I’ve never felt like I’ve belonged anywhere before, so I constantly question my motives for leaving if I’m so damn happy here. I mean, I’ve got a good, solid friend base at school, I really enjoy the work I do there, but that’s all it is—work—and while that’s not a bad thing, I don’t ever get to escape and relax and go hiking or simply take in a stunning view while driving down the highway, nothing exists in Winston Salem to ground me to the fact that the world existed long before me and will exist long after I’m gone…no reminders not to take myself too seriously.
Because, believe me, in a couple of weeks, the sun will rise and set on whether or not my drafts are done, whether or not I’m the best (or near it) in my painting and rendering classes, whether my classmates like me (that counts for a grade, if you can believe it), whether or not I’m overachieving in the appropriate fashion. The School of the Arts teaches alot of things, one of those things being that we are the best in our fields. And if you aren’t the best of the best, they’ve no use for you…no lienience for late projects, no allowing for sick time. I’ve been competitive before, but at cards, not art…my career has never depended on it, and that can consume me…the constant ranking among classmates. We know who’s the best in critiques, and that’s really what it comes down to: you get no points for effort, you only score for being the best, or at least in the top three.
NCSA isn’t nicknamed NC School of the Attitude for nothing…we are pitted against one another, gaining nothing from teamwork until it comes time for production, and then we are expected to work harmoniously from the hours of 2-6 M-F, 7-11 T, Th. We are taught to feel no pity when a sick classmate falls too far behind to ever catch up; when they withdraw, we all breathe a sigh of relief that our numbers are down by one more, because that means one less to worry about. Of course, the real competition never gets sick, they never neglect to turn in projects, they don’t skip critiques. I mean, I like a bit of competition, it pushes me to excel, but this, this is…vicious. Sabotage is never out of the question…it happens every year; someone leaves their final draft on a table in the drafting studio, and they come back in and it has a coffee ring on it, if it’s there at all.
Our freshmen class began as 40…two withdrew on the first day, and eight more trickled away silently during the course of the year. That leaves us at 30, if everyone returns. Statistically speaking, of this 30, only 5 to 7 of us will graduate from NCSA, the other 23 or so having caved underneath the 100+ hour a week workload, or simply failing to meet the standards set forth for us. This is another thing we are told to remember; 80% of us will fail at this task. They push us and push us and push us until we snap, admittedly giving us more work than it is humanly possible to complete, "just to see how we will prioritize", or "as a test to see how we will fare under pressure". All this amidst 28 fully realized, main stage productions. From undergrad to grad, there are only 170 of us to do this. The shows, we work on them for a month or so at a time, no less than 20 hours a week, and then they go up for three days and three days only, and the same day we have strike, we pull a double (or a triple) to began work on the next show.
It’s a constant, grinding, relentless situation, and I for one like it. I thrive in it. I’ve failed at every community college I’ve ever attended, but give me so much work I don’t sleep more than four hours at a shot, and I’m at my prime. Apparently.
One last thing they push on us as supremely important is: If you have the attitude, you damn well better have the talent to back it up. And they are training us to have the both. They say it’s how we’ll survive in the industry. They say that you had better believe in yourself and be ready to tell anyone why you’re the best pick, or you don’t have a shot at making it. They say we’re the best, and that we’d better go ahead and get used to it. I don’t know that this is healthy, this brainwashing, but I do know that they’ve already gotten to me, and I don’t know if I should fight it or just give in and believe it all.
Come two weeks, I’ll forget that the world exists outside of theater. Come two weeks, I’ll be so self-absorbed again that the only thing important is that my work is ranked in the top three. Come two weeks, I’ll get that attitude back, and forget how I ever lived without it. Come two weeks, I’ll be a different person again, the person they are training me to be for the rest of my life, and I am not so comfortable with who that person might be–cock-sure, coldhearted, competitive beyond need, happy when the people that just can’t hang drop back into the obscurity from whence they came.
Is this really me?